{"id":1885,"date":"2011-02-10T06:46:17","date_gmt":"2011-02-10T14:46:17","guid":{"rendered":"http:\/\/blog.andrewlorenzlong.com\/?p=1885"},"modified":"2011-02-11T09:21:18","modified_gmt":"2011-02-11T17:21:18","slug":"trying-times","status":"publish","type":"post","link":"https:\/\/blog.andrewlorenzlong.com\/?p=1885","title":{"rendered":"Trying times"},"content":{"rendered":"<p>This could be considered a sad update to the last post. \u00a0As detailed in the previous blog entry, I had sketched out this complicated weird perspective piece. \u00a0I always take on more than I think I can handle with these paintings, forcing myself to learn\/paint new things. \u00a0However, this time it was just too much. \u00a0I&#8217;ve never painted a forest floor like that before. \u00a0The usage of the Cheshire cat\u00a0holding the camera was really awkward. \u00a0The rabbit&#8217;s footing doesn&#8217;t make much sense and was really hard to imagine at that off-angle (I don&#8217;t exactly have a rabbit to pose in real life to study from). \u00a0However, more than anything, the small size of the canvas (11&#215;14) was making painting the small lines necessary for the playing card army impossible! (how the hell do painters do tiny detailed pieces with acrylic paint?!)<\/p>\n<p>So, on Tuesday night, I had a mini-breakdown and felt like I did in college and the few years after where I would try to paint, get a horrible result and eventually give up assuming I was a terrible artist. \u00a0This always occurred because I didn&#8217;t know what to do or how to do it. \u00a0My painting &#8220;instruction&#8221; in college consisted of critiques, not technical (color mixing, glazing, etc.) lessons. \u00a0Back then I thought that the things I didn&#8217;t understand were supposed to be latent (after all, why ELSE would my instructors never touch upon it?). \u00a0I didn&#8217;t realize until much later that even people like Norman Rockwell took photographs of everything they were about to paint so they could get it to look right and &#8220;real.&#8221; \u00a0It turned out that my instructors in college weren&#8217;t concerned with the &#8220;real&#8221; and were focused on &#8220;modern&#8221; and\/or &#8220;abstract&#8221; art. \u00a0They conveniently forgot that even Picasso was a classically trained artist and could paint in the realist style very well. \u00a0Check out this portrait of his mother he painted:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/www.dailyartfixx.com\/wp-content\/uploads\/2010\/05\/Pablo-Picasso.-Portrait-of-the-Artists-Mother.-1896.jpg\" alt=\"\" width=\"535\" height=\"739\" \/><\/p>\n<p>CLEARLY Picasso had skills developed in similar fashion to the old masters before turning to more abstract forms. \u00a0In fact, Picasso&#8217;s father was a fine art instructor, and his family sent him to the <a href=\"http:\/\/en.wikipedia.org\/wiki\/Real_Academia_de_Bellas_Artes_de_San_Fernando\" target=\"_blank\">best art academy in Spain<\/a> that counts Dali as a fellow alumni and Goya as a director. \u00a0 The lesson here is that great art doesn&#8217;t appear out of thin air &#8211; or just &#8220;from your imagination&#8221; as many like to say.<\/p>\n<p>Needless to say I have no photographs of walking talking (and angry!) playing cards, old rabbits or cats holding cameras. \u00a0After about a week of work (maybe 6 or 7 hours) putting paint on the canvas I was getting slower and slower, enjoying it less and less until Tuesday night not at all. \u00a0I was trying to force something good out of my &#8220;imagination.&#8221; \u00a0However, without any experience with the subject matter my imagination hit severe stumbling blocks, like what a cat&#8217;s paw REALLY looks like holding a camera. \u00a0It was too much.<\/p>\n<p>I did something I rarely do &#8211; stop, admit failure and start over.<\/p>\n<p>Just for some perspective on how hard this was for me, keep in mind I never dropped a class in my entire collegiate career or even arrived late! \u00a0I don&#8217;t quit things.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/lh6.googleusercontent.com\/_ft-qCjvrMks\/TVVnpfB7aGI\/AAAAAAAACbo\/aOyLrdlCKvE\/s800\/IMG_4834.JPG\" alt=\"\" width=\"600\" height=\"738\" \/><\/p>\n<p>But I did quit. \u00a0And painted over the above disaster on Wednesday night to start something new. \u00a0Of course, since February is a short month I&#8217;m now under the gun to get the new piece ready in time for the show!<\/p>\n<p>On Wednesday I sketched out a much simpler concept (inspired, I&#8217;ll admit, by <a href=\"http:\/\/www.google.com\/images?q=ray+caesar&amp;um=1&amp;ie=UTF-8&amp;source=og&amp;sa=N&amp;hl=en&amp;tab=wi&amp;biw=1171&amp;bih=855\" target=\"_blank\">Ray Caesar<\/a>&#8216;s work).<\/p>\n<p>To be fair, I noticed the next day that the pose is very similar to a sketch that Sam did last year in her sketchbook of a little girl holding a pig. \u00a0However, I haven&#8217;t seen that drawing in a year, and obviously didn&#8217;t sketch over it &#8211; so I don&#8217;t think I&#8217;m pulling a <a href=\"http:\/\/www.art-for-a-change.com\/Obey\/index.htm\" target=\"_blank\">Shepard Fairey<\/a> or anything&#8230;.right?<\/p>\n<p>A bad xerox scan of the unfinished drawing appears below&#8230;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/lh4.googleusercontent.com\/_ft-qCjvrMks\/TVVo9BnyvkI\/AAAAAAAACb4\/gBUIdCHbeLI\/s800\/SKMBT_50111020816220.jpg\" alt=\"\" width=\"300\" height=\"423\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This could be considered a sad update to the last post. \u00a0As detailed in the previous blog entry, I had sketched out this complicated weird perspective piece. \u00a0I always take on more than I think I can handle with these paintings, forcing myself to learn\/paint new things. \u00a0However, this time it was just too much. [&hellip;]<\/p>\n","protected":false},"author":99,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1885","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.andrewlorenzlong.com\/index.php?rest_route=\/wp\/v2\/posts\/1885","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.andrewlorenzlong.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.andrewlorenzlong.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.andrewlorenzlong.com\/index.php?rest_route=\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.andrewlorenzlong.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1885"}],"version-history":[{"count":1,"href":"https:\/\/blog.andrewlorenzlong.com\/index.php?rest_route=\/wp\/v2\/posts\/1885\/revisions"}],"predecessor-version":[{"id":1886,"href":"https:\/\/blog.andrewlorenzlong.com\/index.php?rest_route=\/wp\/v2\/posts\/1885\/revisions\/1886"}],"wp:attachment":[{"href":"https:\/\/blog.andrewlorenzlong.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1885"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.andrewlorenzlong.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1885"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.andrewlorenzlong.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}