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Yesterday I did a sort of knee-jerk post about an artist that I found and didn’t like. As so often happens I forget that this thing is public. I get used to thinking of the blog as more of a private email between friends, so I’m always surprised when something comes in from …out there.

Well, within hours the artist in question was notified (I’m assuming his web host notifies him of “pings”) that I’d linked to his site. He read the “review” and responded. Clearly incensed, but trying to take the “high road” I think.

This brought many questions to mind. I often disparage art that I don’t like on here – in fact at least once a month as there is always something at the art walk that rubs me the wrong way. One of the curious things I always forget is that when someone puts their work out in public, they are usually only approached by those that approve of their work. The exceptions to this rule are public album and film reviews. Occasionally book reviews as well, but as we’ve seen lately book authors do not take kindly to bad reviews.

I often think of the axiom “if you don’t have something nice to say, don’t say anything.” I’ve chosen not to live by this as some of my other “public” friends have. Does this leave me open to ridicule? Yes. But does being nice all the time really protect you from it? No. I sometimes wonder what some of my more religious clients would do if they knew my thoughts on religion. I also wonder if I’m being a hypocrite by working for them. Then I wonder if in fact my clients have already seen this information – after all – they all know my URL. Some of them I’ve even had open discussions with about religion and other things where we disagree and they continue to give me work – and I continue to accept the job offers.

Is one’s choice of religion different than one’s artwork? Ideally a person’s art should come from his “soul.” Not the religious “soul” but the creative one. If you’re a creative person you know what I’m talking about. If not, that’s okay, but you must recognize that artists have a different peculiar motivation to do what they do. I read recently that artist brains are very similar to schizophrenics’. I suppose that doesn’t surprise me, artists look at the world quite differently. They see “visions” and translate them to paper or paint or sculpey or film or whatever.

If art in its purest form is an expression of the soul, then perhaps I owe Mr. Gallagher an apology. In that sense it isn’t bad at all if that is what he really sees, believes, projects, etc. However, I live by the idea that Art has to be better than art. Art with a capital A has to have a set of standards. Perhaps I could explain it another way. Anyone can pick up some 2x4s and build something that maybe looks like a house. However, more than likely, the construction will be very shoddy if the builder hasn’t spent years practicing this skill. We could call the finished product architecture, but that implies that the builder is an architect. Doing so dishonors those that have spent much time and effort acquiring the skills to design structures that are both aesthetically pleasing and functional. The lay man picking up 2x4s for the first time could probably do neither (unsound construction won’t function well for long). In the same way, to make Art with a capital A one must “work at it.” Art School isn’t necessary (and in some cases quite detrimental), but usually it can help a great deal.

I still haven’t addressed the issue of voicing a negative opinion. I haven’t held my tongue in the past and I shouldn’t now. I now wonder if all the other artists I’ve insulted on this blog have actually read the postings and simply chosen not to respond. Lord knows the artists I profess great love for certainly never respond. Art criticism is nothing new to the web either. There is even a bad art museum.

In an ironic twist, Mr. Gallagher has now referenced my entry on his own website with a link to it titled “A “real” artist’s opinion of Pat Gallagher’s work.” Ironic because I hardly consider myself a “real” artist anyway. After all, I’ve never exhibited anything (college doesn’t count, it was a graduation requirement). I’ve sold pieces before, but not just as art – they were always purchased for some other use (album covers, concert flyers, etc.). Not to mention the fact that my skill level pales in comparison to so many of the artists I see at galleries like The Hive or La Luz De Jesus Gallery. I don’t even have a real studio, just a large bedroom.

I always forget that someone will like my work, so why worry about those that don’t. As such, I suppose I also shouldn’t feel bad about voicing my negative opinion of other work. Obviously nobody wants to hear that their work isn’t appreciated, so I shouldn’t be surprised at this reaction or any reaction (truth be told I’ve had worse).

Or maybe I should shut the hell up until I’m brave enough to post any of my new work….

3 thoughts on “

  1. I was not incensed..truly my kids and I laughed because how can you or any put standards around what brings about an emotional connection in another person. Example I have seen people cry looking at my work..your standards mean nothing to that person or to me. I paint in public at bars, events all the time . I prefer it that way. I find most people either A) Like/Love my work B)dont like my work C)They think I suck and they get angry. The funny thing is every person who has gotten visibly angry telling me how badly I suck is a jealous trained artist… every single time. I find that amusing. I know folks like you will not accept my work as legitimate becauser then it make you question all the time and money you spent on your education. That is your loss..Do I wish I had an art education ..sure! But the fact that my 7 year old and 5 year old sons taught me what pastels were and how to use them 3 years ago will have to do. I was NEVER exsposed to art growing up..I often wonder what my world would be like if I was.. I have spoken to many people about going to art school( people from the Philadelphia Museum of Art, Major Art Collectors etc etc) to the person they say dont even think about it. Stay on your journey..If you look at the progress I have made in 3 years ya never know what will happen after another 5 or 10.
    Btw having standards for a construction of a building when you have safety involved is much different then standards for something that hangs on a wall and makes somebody feel..Just do your thing..connect to somebody/move somebody and it will work out…it always does

    1. I hope those artists that get angry weren’t angry AT you. I’m not angry AT you, you’re obviously a nice guy doing well for himself. I can’t fault you for that. – and I wouldn’t expect my opinion to have any bearing on what you think or do (that wasn’t the idea). If doing what you do makes you feel good you should do it whether it sells to the President or to no one. I wasn’t actually trying to “do” anything, more just opining on differing standards in the art collecting world. Sometimes this blog turns into more of a whining session than anything useful.

      And to be crystal clear, I actually can’t stand most of Matisse’s work, Picasso’s work, etc. So it isn’t necessarily your work in particular, but your work happened to be what was staring back at me that day.

      This opinion may have something to do with exposure to art at an early age as you mentioned. My standards were reinforced by exposure to painters more focused on realism. At the end of the day it is just a differing opinion and in the vacuum of the internet no words have weight until someone responds.

      The education is another story entirely. If you do go back (and I’d encourage you to, not to “get better” but just to know more about the art world you’re now immersed in) be very careful about your selection of schools. Since you already know what you want to do I’d suggest going to a specialized school like the SF academy of art or Art Center College of Design. I know those are both in California, but there must be something like that in your area. SF academy of art actually offers internet classes… but I have no idea how you have an art class online…

      Based on the amount of work you’ve produced I would say you’re probably flush with ideas, and that is the most important thing. You clearly have a great deal of motivation.

      1. Isn’t this a re-hash of ‘ole ” “shut up” she explained” from a few months back? “I know folks like you will not accept my work as legitimate becauser then it make you question all the time and money you spent on your education.” Yeah, right. I think this was covered by Family Guy–season 2–episode 11.

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